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    "catalog": "N/A",
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                    "names": {
                        "English": "From a Drop, a Flame"
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                {
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                        "English": "Korunim"
                    },
                    "track_length": "2:27"
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                    "track_length": "3:51"
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                        "English": "The Veiled Sea"
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                    "track_length": "5:55"
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                    "names": {
                        "English": "Swimming in the Sky"
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                    "track_length": "6:48"
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                    "track_length": "4:29"
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                        "English": "A City Where None Live"
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                        "English": "Boiling Caverns"
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                {
                    "names": {
                        "English": "The Perfect Wave"
                    },
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                {
                    "names": {
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        "added_date": "2025-08-18T22:13",
        "edited_date": "2025-08-19T13:10",
        "fetched_date": "2026-06-04T01:12",
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    "name": "Sword of the Sea",
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    "notes": "Sword of the Sea marks my 3rd collaboration with Giant Squid, and 4th with its founder Matt Nava (who had been Journey's Art Director). 16 years now we've worked together! Every project has been so distinct, yet all so deeply \"of a kind.\" He's a singular talent and director, who somehow manages to create space for me try seemingly anything I want, yet creates games for which a very specific musical vision seems to emerge.\nAt the heart of this one was an electronic soundscape enveloping a piano. Then came vocals, which actually began as a joke when Matt found a podcast in which Werner Herzog speculates that he'd use Orthodox monk chanting as underscore were he to make a skating documentary. I began writing for children's choir (performed by the magnificent Phoenix Boys Choir), and the rest soon followed.\nMany, many musicians from around the world ended up performing on this score and I'm deeply indebted to them all. As with all Giant Squid games, this became a deeply personal labor of love and I am so grateful to have had the opportunity to be part of it.\nMusic Composer and Producer: Austin Wintory\nSoloists\nKristin Naigus: Flute, Oboe, Clarinet, Native American Drone Flutes\nTina Guo: Cello\nMalukah: Vocal\nPaul Cartwright: Violin, Viola\nTom Strahle: Electric Guitar, Electric Basses, Mandolin, Tagelharpa\nOrchestration: Austin Wintory\nMIDI Transcription: Dallas Crane and Shireen Ghosh\nCopyist: Steve Juliani Music\nAdditional Synth Programming: Joris Hoogsteder\nCustom VST Design and Additional Synth Programming: Shireen Ghosh\nAdditional Synth Programming: Nick Palmer\nProTools Prep and Music Editor: Kevin Globerman\nScore Mixer: Austin Wintory\nSoundtrack Mastering Engineer: Joris Hoogsteder\nAlbum Art Direction: Matt Nava\nLondon Recordings\nViola Ensemble Contractor: Amy Ewen for Isobel Griffiths LTD\nLondon Voices Contractor and Choirmaster: Ben Parry\nConductor: Austin Wintory\nLibrarian: Jill Streater\nRecording Engineer: Jake Jackson\nRecorded at AIR Studios, Lyndhurst\nViola Ensemble\nBruce White, Reiad Chibah, Edward Vanderspar, Lydia Lowndes-Northcott, Nicholas Bootiman\nLondon Voices Choir\nKen Burton, Fraser Collins, Guy Cutting, Michael Dore, Edmund Hastings, Matthew Howard, Benedict Hymas, Timothy Murphy, Sam Oladeinde, Edmund Sadington, Andrew Tipple, Steve Trowell\nPhoenix Boys Choir\nPhoenix Boys Choir Artistic Director and Conductor: Herbert Washington\nPhoenix Boys Choir Recording Coordinator: Ryan Gunderson\nPhoenix Boys Choir Engineer: Aidan Briggs\nDavid Acevedo, Rafael Aguirre, Noah Anderson, James Bruer, Jacob Crayton, Gavin Goats, Paul Harlow, Dylan Hernandez, Aaron Hollenback, Oliver Jones, Carlos Mendez, Adam Moneypenny, Santiago Morales, Macklin Murdoch, Nelson Newton, Oliver Nyman, Perry Elias Pauley, Asher Pearl, Alexander Perrin, Aristide Philippakis, Ryan Pinto, Leo Ponce, Hayden Purvis, Theo Potter, Ryan Reynolds, Aiden Ryan, Alston Smith, Jax Smith, Jackson Shapiro, Christopher Spurling, James Starbuck, Ezra Taylor, Peter Thurow, Jack Tracy, Timothy Swartz, Koos Van Leeuwen, Ezra Velasco-Medina, Yadian Washington, Oliver Williams\nLyrics: Steve Lerner\nTranslations: Patrick Quah and Matt Nava\nThai Percussion Ensemble Producer: Seathencity\nRecording Session Supervisor: Numpark Sribanditmongkol\nSession Coordinator and Lead Percussionist: Pawarin Phiken\nThai Percussionists\nTossaporn Tassana, Worawan Worachat, Tinnapob Thanomthum, Chartchur Chursombol, Yanisa Wannawat\nRecording Engineer: Sutthipat Kunakorn, Sahathai Khantee\nSession Assistant: Isoon Khamduang",
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