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            "names": {
                "en": "Shota Nakama",
                "ja": "仲間将太"
            }
        },
        {
            "link": "artist/9425",
            "names": {
                "en": "David Saulesco"
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        {
            "link": "artist/104",
            "names": {
                "en": "Noriyuki Iwadare",
                "ja": "岩垂徳行"
            }
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        {
            "link": "artist/16790",
            "names": {
                "en": "Naoto Kubo",
                "ja": "久保直人"
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    "catalog": "N/A",
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            "names": {
                "en": "Yoko Shimomura",
                "ja": "下村陽子"
            }
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        {
            "link": "artist/146",
            "names": {
                "en": "Yasunori Mitsuda",
                "ja": "光田康典"
            }
        },
        {
            "link": "artist/5403",
            "names": {
                "en": "Jonathan Coulton"
            }
        },
        {
            "link": "artist/11441",
            "names": {
                "en": "Satoe Terashima",
                "ja": "寺島里恵"
            }
        },
        {
            "link": "artist/104",
            "names": {
                "en": "Noriyuki Iwadare",
                "ja": "岩垂徳行"
            }
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        {
            "link": "artist/1386",
            "names": {
                "en": "Gerard K. Marino"
            }
        },
        {
            "link": "artist/77",
            "names": {
                "en": "Nobuo Uematsu",
                "ja": "植松伸夫"
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            "name": "",
            "tracks": [
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                    "names": {
                        "English": "Theme of World Warriors (Street Fighter 2)",
                        "English (Bandcamp)": "Street Fighter 2 (Live)",
                        "English (CD)": "Theme of Street Fighter 2"
                    },
                    "track_length": "3:18"
                },
                {
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                        "English": "Chrono Trigger",
                        "English (Bandcamp)": "Chrono Trigger (Live)",
                        "English (CD)": "Chrono Trigger"
                    },
                    "track_length": "4:51"
                },
                {
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                        "English": "Still Alive (Portal)",
                        "English (Bandcamp)": "Still Alive (Live)",
                        "English (CD)": "Still Alive"
                    },
                    "track_length": "3:26"
                },
                {
                    "names": {
                        "English": "Vampire Killer (Castlevania)",
                        "English (Bandcamp)": "Vampire Killer (Live)",
                        "English (CD)": "Vampire Killer"
                    },
                    "track_length": "4:25"
                },
                {
                    "names": {
                        "English": "Final Fantasy Tactics",
                        "English (Bandcamp)": "Medley Final Fantasy Tactics: Brand Logo / Backborn Story / Ovelia's Anxiety / Sorrow / A Moment's Rest / Boss Battle",
                        "English (CD)": "Final Fantasy Tactics Medley"
                    },
                    "track_length": "8:36"
                },
                {
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                        "English": "The End of the World (Grandia)",
                        "English (Bandcamp)": "The End of the World (Live)",
                        "English (CD)": "The End of the World"
                    },
                    "track_length": "5:11"
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                {
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                        "English": "Theme of Grandia (Grandia)",
                        "English (Bandcamp)": "Theme of Grandia (Live)",
                        "English (CD)": "Theme of Grandia"
                    },
                    "track_length": "4:50"
                },
                {
                    "names": {
                        "English": "God of War Theme",
                        "English (Bandcamp)": "God of War Theme (Live)",
                        "English (CD)": "God of War"
                    },
                    "track_length": "4:10"
                },
                {
                    "names": {
                        "English": "The End Begins to Rock (God of War 2)",
                        "English (Bandcamp)": "The End Begins to Rock (Live)",
                        "English (CD)": "The End Begins to Rock"
                    },
                    "track_length": "4:27"
                },
                {
                    "names": {
                        "English": "Final Fantasy VII Suite",
                        "English (Bandcamp)": "Medley Final Fantasy VII: The Prelude / Final Fantasy / Fighting / Aerith's Theme / Chocobo Theme / One Winged Angel / Main Theme (Live)",
                        "English (CD)": "Final Fantasy VII Suite"
                    },
                    "track_length": "16:54"
                }
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    "link": "album/35736",
    "lyricists": [],
    "media_format": "CD",
    "meta": {
        "added_date": "2012-10-10T12:18",
        "edited_date": "2024-12-26T09:50",
        "fetched_date": "2026-06-03T19:58",
        "freedb": 18,
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    "name": "Live at Symphony Hall / Video Game Orchestra",
    "names": {
        "en": "Live at Symphony Hall / Video Game Orchestra",
        "ja": "Live at Symphony Hall / Video Game Orchestra",
        "ja-latn": "Live at Symphony Hall / Video Game Orchestra"
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    "notes": "\"To me, VGO is like my child. It was back in the summer of 2008 when I was in my last semester finishing up my film scoring degree at Berklee College of Music, I came up with this crazy idea (I did not think it was crazy, but everybody thought it was) while listening to the soundtrack from Chrono Cross composed by Yasunori Mitsuda: create a live group to perform video game music. Next day, I was already asking my friends if they would be interested to play in this new group, soon-to-be-called Video Game Orchestra. After a bunch of declines and laughs-at-my-face, somehow I was able to gather about 25 people to perform at a small chapel in Boston. That's how everything began.\nFive years from then, we have a rock band, full orchestra and choir, making incredible music, rocking thousands of people out with our signature \"rockestral\" video game music arrangements and even recorded for the actual soundtrack of the latest Final Fantasy, Lightning Returns - Now THAT is crazy. I am from a small island called Okinawa and came to America at the age of 18, dreaming about, \"Oh man, I am so going to be a huge rock star!\" 13 years later, I guess I am a step closer to it? Maybe a bit more than a step, especially after this live album that I am the most proud of.\nThis album was recorded live at Boston Symphony Hall on October 7th, 2012, and it includes some of the most beloved video game music of all time, with extraordinary performance and sound quality. This is the best video game music concert album out there, guys. I thank all of you who supported us - the musicians, engineers, staff (especially Wen), fans and those backers who helped fund this CD on Kickstarter. This is for every one of you. Here I present, Live at Symphony Hall!\"\n- Shota Nakama, VGO Creator/Producer\nI - Theme of Street Fighter 2\n     Composed by Yoko Shimomura / Arranged by Shota Nakama\n    \"Originally, I made this arrangement for the small version of VGO for performing at events like PAX. For this concert, I expanded the score since we had the entire orchestra backing up the rock band. The real challenge was how could I make it sound like a stand-alone song because the original version is less than a minute long! So I added the extended, epic bVI-bVII-I progression introduction where I shout out to the audience. After the theme, the amazing solo battle between our violinist and keyboardist kicks in and they are on fire here! Getting out from the battle, the song approaches its end with the recap of the theme, now harmonized, with the crazy guitar and bass unison lines making it even better!\"\n    © 1991 Capcom\nII - Chrono Trigger\n      Composed by Yasunori Mitsuda / Arranged by Shota Nakama\n     \"This arrangement features pretty much the same instrumentation as Street Fighter 2 except adding the orchestral percussion section to it. This is one of my favorite arrangements I have ever made because it really musically describes our signature style, \"rockestral\" video game music.\n      The song begins with a funk groove type of thing where the bass, drums, and percussion are playing 16th note figures, followed by this quieter section where you can hear the beautiful violin melody played by Chris Baum, along with the piano and string section. Then suddenly, you are in the world of rockestra. Chris bursts out his energy and the entire group comes in to give a huge hit going into the next rock section. During the second half of the solo section, I used a motif from Radical Dreamers, the ending song of Chrono Cross, which is a sequel to Chrono Trigger. If you catch that without reading this note, you are a true Chrono fan.\"\n    © SQUARE ENIX MUSIC LTD. ALL RIGHTS ADMINISTERED BY WB MUSIC CORP.\nIII - Still Alive\n       [Lyrics &] Composed by Jonathan Coulton / Arranged by Shota Nakama\n     \"Firstly, thanks to Jonathan Coulton for creating such a cute, fun song. The whole orchestra plays in it, but it is more strings centered and kept quite simple overall to not destroy the \"cuteness\" of the song.\n      Still Alive has been the closing song of our recent concerts because it is such a perfect sing-along song that fills the room with joy. Other than this song, are there any songs from video games that the entire audience sings along with? I believe Still Alive is the only one so far, and this was the perfect conclusion to this magical night.\"\n     © 2007 Valve Corporation\nIV - Vampire Killer\n      Composed by Satoe Terashima / Arranged by Shota Nakama\n     \"If you were a Castlevania fan, you might notice that the intro B-3 organ line is from Bloody Tears, another well-respected song from the series. The line is probably enough to tell you this will be an epic symphonic metal song, following the tradition of the Castlevania soundtracks.\n     This arrangement of Vampire Killer came together very quickly. Ever since I decided to arrange this piece, even before writing anything down, I pretty much had everything laid out in my head, note for note. You can totally hear the European metal influence here from my favorite bands like [Helloween], Stratovarius and Rhapsody of Fire, and the fast unison at the end of the solo on the Bach progression after another incredible solo battle between the electric violin and keyboard is as European metal as it can get. Nothing gets better than this.\"\n     © 1986 Konami Digital Entertainment\nV - Final Fantasy Tactics Medley\n     Composed by Hitoshi Sakimoto / Arranged by David Saulesco\n    \"Knowing his versatile composition skills, I asked David Saulesco, who is quite an accomplished video game composer living in Europe, to arrange the music of Hitoshi Sakimoto from Final Fantasy Tactics. I gave him a few guidelines like requesting him to throw in some fragments of Final Fantasy 12, not use the band section and focus on only the orchestra and choir because Sakimoto-san' s music really calls for pure orchestral arrangement, make it epic (as I always tell people whom I work with) and so on. After 3 days, boom, he sent me this fantastic arrangement that you would absolutely enjoy listening to.\"\n    © SQUARE ENIX MUSIC LTD. ALL RIGHTS ADMINISTERED BY WB MUSIC CORP.\nⅥ - The End of the World\nVII - Theme of Grandia\n        Composed & Arranged by Noriyuki Iwadare\n      \"When I contacted Noriyuki Iwadare, the composer of the Grandia series, to attend the concert as a guest, he quickly replied to me saying, \"I am going to quickly put together something and send you the scores!\" That was totally an unexpected and pleasant surprise! So these pieces are both re-orchestrated by lwadare-san himself especially for this concert. Our concertmaster of the night, Sho Omagari, enhances the piece even further with his beautiful solo in the middle of the Grandia theme. By the way, the Live at Symphony Hall was actually the first time ever that the music of Grandia was officially performed at a live concert in the US. You are listening to something very special here!\"\n    © 1997,1999 GAME ARTS/ESP\nVIII - God of War\n   IX - The End Begins to Rock\n         Composed by Gerard K. Marino\n      \"I loved the brutality of God of War both in its game play and in the music. The composer Gerard Marino told me he really loves epic rock style as he once was a shredding metal keyboard player. You can definitely hear the metal influence everywhere and even the theme, which does not have a rock band, rocks out, or maybe I should describe the beginning as if you suddenly encounter a massive titan, with its gigantic arm, crushing you hard. It sounds that big. The second part, The End Begins to Rock, is an alternative version of the song that the composer created for Rock Band, and this is as metal as a song from video game music can get. You would totally understand what I am talking about here once you hit play. Then you unleash your inner beast calling you to bang your head and grip your middle and ring fingers making the devil's horns with a glorious, mean rock face.\"\n    © 2007 Sony Computer Entertainment America Inc.\nX - Final Fantasy VII Suite\n     Composed by Nobuo Uematsu / Arranged by Shota Nakama & Naoto Kubo\n      \"The longest piece from the VGO repertoire! I created this a while ago and I was thinking to myself \"How can I tell people the story with the music?\" First thing I did was to choose the most well known pieces from the game, but as I was selecting them, the pieces fell into the right places in my head. Shortly after, the entire medley concept was already there.\n       We performed this for the first time back in 2010 when the group was a little bit smaller. The orchestra was still a chamber orchestra size so naturally for L@SH, the score had to be expanded. My composer friend, Naoto Kubo, whom I went to school with, helped re-orchestrate this, and the collaboration worked out quite well for sure! The ending is the recap of the famous Final Fantasy theme with the distorted electric guitar taking the melody part ... so epic. Originally this arrangement had Still More Fighting and JENOVA, but we had to cut them due to time constraints. Perhaps we can add them back next time so we can play the \"full\" version of it!\"\n    © SQUARE ENIX MUSIC LTD. ALL RIGHTS ADMINISTERED BY WB MUSIC CORP.\nVideo Game Orchestra\nROCK BAND\n  Guitar: Shota Nakama\n  Bass: Louis Andre Ochoa\n  Drums: Takuma Anzai\n  Percussion: Noriko Terada\n  Keyboard: Haruka Yabuno\n  Electric Violin: Chris Baum\n  Solo Vocal: Ingrid Gerdes\nORCHESTRA\n  Conductor: Yohei Sato\n  Violin I: Sho Omagari, concertmaster\n               Yi-Hsiu Liu\n               Angel Valchinov\n               Yura Hyun\n               Chang-Lung Lin\n               Natsuki Kumagai\n               Felix Chen\n               Patrick Shaugnessy\n               Tudor Dornescu\n               Alsksandra Labinska\n               Momoko Matsumura\n               Sarah Peters\n               Michael Rau\n  Violin II: Julia Okrusko\n                Li-Mei Liang\n                Harry Chang\n                Tara Mueller\n                Kenneth Mok\n                Daniel Koo\n                Nelli Jabotinsky\n                Shu-Fang Du\n                Konstaintin Rybakov\n                Rita Wang\n                Mu-Ying Tsai\n                Li Lao\n  Viola: Chen Lin\n            Debbie Apple\n            Cait O-Brien\n            Ting-Ru Lai\n            Kevin Hsu\n            Susan Chu\n            Justin Ouellet\n            Oliver Chang\n            Hye Lim Shin\n  Cello: Ignacy Grzelazka\n            Robert Mayes\n            Drew Comstock\n            Kett Lee\n            Mike Dahlberg\n            Ro Rowan\n            Jiwon Suh\n            Yina Tong\n  Double Bass: Chao Chen\n                      Andrew Chilcote\n                      Yi-Jung Su\n                      Eddie Kass\n  Harp: Sena Hornby\n  Flute / Piccolo: Kazuyo Kuriya\n  Flute: Alex Stoyanov\n  Oboe: Akane Inoue\n            Miri Kudo\n  Clarinet: Linus Wyrsch\n                John Dioati\n  Bassoon: Vince Ocampo\n                Tzu-I Lee\n  Trumpet: Andrew Gushiken\n                Matt Ebisuzaki\n                Loo-Kit Chong\n  Horn: Chuta Chulavalaivong\n           Paige McGrath\n           Nick Rubenstein\n           Sarah Sutherland\n  Trombone: Johnny Elizondo\n                  Mary Tyler\n  Bass Trombone: Jessica Smith\n  Tuba: Jobey Wilson\n  Percussion: Noriko Terada\n                    Ethan Pani\n                    Rich Chwastiak\n                    Matt Sharrock\n  Timpani: Jonathan Hess\nCHOIR\n  Soprano: Shadi Ebrahimi\n                Alyssa Koogler\n                Sarah Moyer\n                Noel Smith\n  Alto: Von Bringhurst\n          Abbe Dalton\n          Lauren Frick\n          Allegra Martin\n  Tenor: Elijah Hopkin\n             Henry Lussier\n             Nathaniel Smith\n             Martin Thompson\n  Bass: James Dargan\n           Justin Hicks\n           George King\n           Jonathan Mendoza\nCreator & Producer: Shota Nakama\nProduction Manager: Wen Hsu\nProduction Assistant: Ivan Lin\n                                Poya Chang\n                                Maho Azuma\nMixing Engineers: Alex Levy & Warren Brown (Epilogue Audio)\nMastering Enginner: Falk Au Yeong\nRecording Engineers: Nick Squire\n                                John Weston\nAssistant Recording Engineers: Igor Stolarsky\n                                              Dan Schwartz\nAdditional Recordings at/by Futura Productions\n                                         Igor Stolarsky\n                                         Yuki Kishida (Keyboard)\n                                         Livan (Additional Piano)\nConcert Publicist: Audun Sorlie\nPhotographers: Thomas J. Dougherty (Nickeledge)\n                       Ryuhei Asai\nJacket & Booklet Design: HIRAKU\nSpecial Thanks: Sean Lewis\n                        Hitoshi Sakimoto, Yoko Shimomura, Noriyuki Iwadare, Kinuyo Yamashita\n                        Yasuhiro Takamatsu & Yukiko Kusano (Square-Enix Inc.)\n                        Rika Okabe (Game Arts Inc.)\n                        Hiroko Miyaji, Takahiro Nishi, Anna Ejiri\n                        Robert Khoo, Khahil White and PAX, Jonathan \"JoCo\" Coulton, DJ Frontalot, Protoman, Mini Bosses\n                        Noguchi-san and his crew, Patrick Gann & Stephen Merick\n                        Morimasa & Yoko Tonaki\nKickstarter & Notable Backers!\nMohammed Taher / Stephanie Simpson-White / Geran Smith / Cuauhtemoc Yescas / Penny Arcade / John / brendan sheehan / Island / Isaac a€ Will It Worka€™M Dansicker / Kenneth Benoit / Scott Feuerstein / Greg Ashcroft / Thomas J Dougherty / thekenbaughman / Neil Chatterjee / erinkoconnor / Jia-Chi Yao / Steven Lord / Alvin Ao / Jeremy Scott / Harrison Salzman / Jay / Ytterbium / Nate Horsfall / Andrew Lafko / James Oikawa\nJason Roop / Crescens / Jonathan Rodgers / Joe Kozachek / Jin Lem / fred / John Unterseher Jr / Christian DuAYe / Dustin / David Dryden / Rikki Nilsen / Kaelu / Tom Loughead / Chris Ling / George Bieber / Jordan Sekiya / EmbryonJen / Chris / Nicholas Thaera / Antonia Ursa / Skye Souter / Margaret-Hannah Wing-Yan Emerick / Adam Page / Edwyn Tiong / Kenneth Moy / Joshua Savage / Yuyuke / Kim / Matt Chan / Andrew Kwon / Stefan Schuler / Thomas Schwake / Logan Arias\n==========\nDigitally reissued on Bandcamp in August 2019 via Materia Collective [MCOL-0228]",
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